×
Loading shows…
×
×
Calibration (Is Pushing Luck and Key Too Far)

Calibration (Is Pushing Luck and Key Too Far)

by Omar Rodriguez-Lopez

Label(s): Clouds Hill, Define Every Inch The Mile One Seeks, N20 Records, Rodriguez Lopez Productions

Released: 12/15/2007 (CD)

Released: 11/11/2008 (2x light grey marble vinyl)

Recorded: 2005 - 2007

Length: 53:31

Location: Amsterdam

Available Releases (CD/Vinyl/etc)

Japan CD • 2007
Nitrous Oxide Records (N2OJ-114)
41 have 24 want
US CD • 2008
Nitrous Oxide Records (N2O-CD-120)
Barcode: 6 49563 01202 2
329 have 35 want
According to the label, the original title given to them by Omar was "Calibration Is Pushing Luck and Key Too Far" but only "Calibration" appears on t...
US Vinyl • LP • 2008
Nitrous Oxide Records (N2O-LP-129)
Barcode: 649563012916
200 have 276 want
© 2008 Define Every Inch The Mile One Seeks Released Under Exclusive License To N20 Records
US Vinyl • LP, 45 RPM, Reissue • 2024
Clouds Hill (CH246), Rodriguez Lopez Productions (CH246)
Barcode: 4250795603870
70 have 16 want
Clouds Hill 2024 Reissue On hype stickers "Clouds Hill Edition" & "Made From Recycled Vinyl / Because We Care"

Tracklist

  1. Mexico 3:00
  2. El Monte T'aï 2:34
  3. Una Ced Lacerante 2:48
  4. Calibration 3:36
  5. Grey (Cancion Para El) 3:29
  6. Glosa Picaresca Wou Mên 3:27
  7. Sidewalk Fins 6:32
  8. Lick The Tilting Poppies 5:17
  9. Cortar El Cuello 3:24
  10. ...Is Pushing Luck 8:12
  11. Las Lagrimas De Arakuine 11:06

Credits

Artwork: Sonny Kay
Artwork By: GREY
Bass: Juan Alderete de la Pena (tracks: 1, 2, 4, 7, 10, 11), Omar Rodriguez-Lopez (tracks: 6, 8)
Clavinet: Marcel Rodriguez-Lopez (tracks: 6), Omar Rodriguez-Lopez (tracks: 8)
Drums: Marcel Rodriguez-Lopez (tracks: 2, 4, 8, 10), Thomas Pridgen (tracks: 1, 7, 11)
Electric Piano: Omar Rodriguez-Lopez (tracks: 7)
Electric Piano [Wurlitzer]: Omar Rodriguez-Lopez (tracks: 3)
Engineer: Jon Debaun, Lars Stalfors, Omar Rodriguez-Lopez
Guitar: Omar Rodriguez-Lopez (tracks: 1-11)
Guitar [Tv5]: Omar Rodriguez-Lopez (tracks: 5)
Harp [Mexican Harp]: Omar Rodriguez-Lopez (tracks: 1)
Lyrics By: Cedric Bixler-Zavala (tracks: 4, 10), John Frusciante (tracks: 6), Omar Rodriguez-Lopez (tracks: 2, 7, 8)
Mastered By: Pete Lyman
Mixed By: Shawn Sullivan
Percussion: Adrian Terrazas (tracks: 2, 10), Marcel Rodriguez-Lopez (tracks: 2, 6, 10)
Performer [Tea Kettle]: Omar Rodriguez-Lopez (tracks: 3)
Producer: Omar Rodriguez-Lopez
Saxophone: Sara Christina Gross (tracks: 7)
Sequenced By: Omar Rodriguez-Lopez (tracks: 7)
Synthesizer: Marcel Rodriguez-Lopez (tracks: 1, 6, 7, 11), Money Mark (tracks: 2, 10), Omar Rodriguez-Lopez (tracks: 1, 3, 6, 7, 8, 11)
Violin: Kim Humphreys (tracks: 2, 5, 8)
Vocals: Cedric Bixler-Zavala (tracks: 4, 10), John Frusciante (tracks: 6), Omar Rodriguez-Lopez (tracks: 2, 4, 7, 8,)
Voice: Tina Rodriguez (tracks: 1, 6)
Woodwind: Adrian Terrazas (tracks: 2, 10)
Written-By: Omar Rodriguez-Lopez

Notes

According to the label, the original title given to them by Omar was "Calibration Is Pushing Luck and Key Too Far" but only "Calibration" appears on the physical release.

Licensed to N2O Records

Identifiers

Barcode: 6 49563 01202 2 (Text)
Barcode: 649563012022 (Scanned)
Matrix / Runout: N20-CD-120 [Sonopress Arvato logo] + + H275201 (Variant 1)
Mastering SID Code: IFPI L028 (Variant 1)
Mould SID Code: IFPI 10J4 (Variant 1)
Matrix / Runout: N20-CD-120 [Sonopress Arvato logo] + + H275201 (Variant 2)
Mastering SID Code: IFPI L028 (Variant 2)
Mould SID Code: IFPI 1004 (Variant 2)
Matrix / Runout: N2O-CD-120 [Sonopress Arvato logo] + + H275201 (Variant 3)
Mastering SID Code: IFPI L028 (Variant 3)
Mould SID Code: IFPI 1034 (Variant 3)

Videos

Las Lagrimas de Arakuine - Calibration
Lick The Tilting Poppies - Omar Rodriguez-Lopez
Omar Rodriguez Lopez - Sidewalk Fins
All release and variant data is courtesy of Discogs.com.

DEIMOS press release:

Calibration is another in a series of albums written while Omar Rodriguez Lopez was living in Amsterdam in 2005. Similar to the recent Se Dice Bisonte No Bufalo album, Omar utilized his usual cast of contributors to perform some of the tracks, while completing others by himself. With an emphasis on electronic, dub and synth-based compositions, the resulting album has more in common with Rodriguez’s DE FACTO output than with his rock-oriented work. Calibration includes vocal appearances by Cedric Bixler Zavala and John Frusciante, as well as performances by Thomas Pridgen, Juan Alderete de la Pena, Money Mark, and more. Album art was created by world-reknowned graffiti artist GREY, a childhood friend of Omar’s and longtime artistic collaborator.”

N20 press release:

“We just wanted to start getting the word out on Omar’s (Mars Volta) solo album “Calibration (is Pushing Luck and Key Too Far)” that was recorded in Amsterdam… it’s the first flagship rock/electronic fueled album from the ORL Group featuring an all star cast of players. It’s a truly artistic record and we are honored to be able to work with Omar and familia and be able to release this record on our little indie label. The record will be released in Japan first 12/15/07, followed up by UK and Europe and lastly the USA early Feb-March 2008.

There will be several formats of releases… 12″ vinyl singles, cd, LP and iTunes, as well as a follow up album which will be remixes of the original “Calibration” material which will include matching artwork as a set. So there will be lots of limited product to collect for this album. Known as “Calibration” the far out original title given to us by Omar was, and is “Calibration is Pushing Luck and Key Too Far.”

We will try hard to present this record to the fans in the best possible way, please enjoy the project and we are looking forward to making friends with all of Omar’s supporters.”

Ultimately the remix album or the 12” vinyl singles never came to fruition.   This was the fourth in the Amsterdam series.  It was the first Omar release to feature Thomas Pridgen on drums as The Bedlam in Goliath would not come out until January the following year.

“A collaborative affair, made from in-depth studio sessions with many guest musicians and field recordings from the loneliest place in Mexico.” – Clouds Hill