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Cryptomnesia

Cryptomnesia

by Omar Rodriguez-Lopez

Label(s): Clouds Hill, Rodriguez Lopez Productions, Sargent House

Released: 04/18/2009 (Record Store Day release)

Released: 05/05/2009 (CD & Vinyl)

Recorded: 2006, 2008

Length: 36:14

Available Releases (CD/Vinyl/etc)

US CD • Album • 2009
Rodriguez Lopez Productions (SHRLP001CD)
Barcode: 6 13481 01952 4
312 have 59 want
℗ 2009 Hija de Lola (ASCAP) / Amputkture (ASCAP) Album comes in a digipak.
Europe CD • Album • 2009
Rodriguez Lopez Productions (RLPE001CD)
Barcode: 54255001461745
77 have 39 want
Album comes in a digipak with an 8-page foldout mini poster containing lyrics and liner notes. ©+℗ 2009 BIEM/STEMRA Rodriguez Lopez Productions Eu...
US Vinyl • LP, Album, Limited Edition • 2009
Rodriguez Lopez Productions (SHRLP001)
Barcode: 6 13481 01954 8
1083 have 296 want
℗ 2009 Hija de Lola (ASCAP) / Amputkture (ASCAP) Only 3,000 pressed.
Europe Vinyl • LP • 2009
Rodriguez Lopez Productions (RLPE001)
Barcode: 5 425001 461738
299 have 128 want
The barcode appears as "RLPE001CD" on the back cover.
Vinyl • LP, Album, Reissue • 2024
Clouds Hill (CH249)
Barcode: 4 250795 603931
102 have 30 want
2024 reissue with new jacket design. Clouds Hill edition. Made from recycled vinyl.

Tracklist

  1. Tuberculoids 4:18
  2. Half Kleptos 3:10
  3. Cryptomnesia 6:03
  4. They're Coming To Get You, Barbara 4:02
  5. Puny Humans 2:31
  6. Shake Is For 8th Graders 2:13
  7. Noir 3:45
  8. Paper Cunts 2:51
  9. Elderly Pair Beaten With Hammer 2:04
  10. Warren Oates 4:55
  11. Fuck Your Mouth 0:23

Credits

Bass: Juan Alderete de la Pena
Bass [Synth Bass]: Jonathan Hischke
Design, Layout: Sonny Kay
Drums: Zach Hill
Engineer: Isaiah Abolin, Jon Debaun, Lars Stalfors
Guitar, Keyboards: Omar Rodriguez-Lopez
Mastered By: Pete Lyman
Mixed By: Shawn Sullivan
Music By, Arranged By, Directed By: Omar Rodriguez-Lopez
Other [Rodriguez Lopez Productions Enquiries]: Cathy Pellow, Sargent House
Photography By [Photos]: Hadas
Producer: Omar Rodriguez-Lopez
Vocals [Canta], Lyrics By: Cedric Bixler-Zavala

Notes

℗ 2009 Hija de Lola (ASCAP) / Amputkture (ASCAP)

Album comes in a digipak.

Identifiers

Barcode: 6 13481 01952 4 (text)
Barcode: 613481019524 (string)
Mastering SID Code: IFPI LM07
Mould SID Code: IFPI F921
Matrix / Runout: Rodriguez Lopez Productions |IDMED3026/B|S1|
Rights Society: ASCAP

Videos

Tuberculoids
Half Kleptos
Cryptomnesia
All release and variant data is courtesy of Discogs.com.

The music for Cryptomnesia was recorded in the Summer of 2006, allegedly around the time Old Money was being made, with the vocals being recorded in 2008.  The album consists of small segments of larger improvisations or jam sessions that were stitched together in editing.  Initially it was stated that three albums would be made from these sessions, but to this date only one was ever released.  Cryptomnesia was the first album to be released through Sargent House, and Omar’s first album to be released on Record Store Day (3,000 copies).  It was promoted as an antithesis to Octahedron, with Cedric stating:

“if anyone’s bummed that The Mars Volta record’s too simple or too pop, they can buy that album and it’ll take them right back to that kind of sound. It’s one of my favourite things I’ve ever worked on. It’s pretty much a Mars Volta record, just without Thomas, Ikey, and Marcel. With Volta [Octahedron] was just our acoustic record that turned into our pop record.”

The liner notes state:

“To soothe the symptoms of a cursed go-between, this magnetar of a record (an uncomfortable meditation on bad manners), was recorded in the foul summer of 2006. It then sat in my grotesquely overpopulated, roman holiday of a closet, awaiting its vocal tracks, which were finally realized in the illustrious Australian summer of 2008. Being predisposed to insults, I would like to say now that I love this record with all my guts and find it very much worth the wait (I hope you’ll agree, though I sense some of you may not). This project, as many before it, though one small step in my (our) personal therapy, still bears the question: is our footing sure enough to be trusted?”

“A self-caricature: what would an album that plays with the expectations people have of an artist sound like?” – Clouds Hill