×
Loading shows…
×
×
This Station Is Non-Operational

This Station Is Non-Operational

by At The Drive-In

Label(s): Fearless

Released: 05/24/2005 (CD)

Recorded: 1996-2000

Length: 72:09

Available Releases (CD/Vinyl/etc)

Mexico CD • Compilation • 2005
Noiselab Records (CDX3 27941)
Barcode: 7 509848 279416
22 have 13 want
EXTRAS include Wallpapers On DVD is printed 'DVD region 1' logo but is incorrect. Dvd's in Mexico are region 4
Australia CD • Compilation • 2005
Fearless Records (CTX270CD), Shock (2) (CTX270CD)
Barcode: 5021456132904
69 have 20 want
US CDr • Compilation, Promo, Copy Protected • 2005
Fearless Records (none)
8 have 14 want
Track 12 is a b-side from the album Relationship Of Command. Track 13 is a b-side from the album In/Casino/Out. Track 14 is from the At The Drive-In...
Japan CD • Compilation • 2005
V2 (V2CP 226-227), Fearless Records (V2CP 226-227)
Barcode: 4 520227 005900
11 have 13 want
Comes in a jewel box with extra booklet and an obi-strip.
Japan CD • Compilation • 2005
V2 (V2CP 231), Fearless Records (V2CP 231)
2 have 14 want
Jewel Case 05-7-20 (05-5-30) (Y)(X)
Japan CD • Compilation • 2005
V2 (V2CP 226-227)
Barcode: 4 5202227 005900
2 have 19 want
Includes obi and two booklets. One of the booklets is the normal English one with the cover artwork, credits and pictures. The other one is Japane...
Europe CD • Compilation, Promo • 2005
V2 (VVR1032462P), Fearless Records (VVR1032462P)
46 have 14 want
The release says "All songs by At The Drive-In except as noted herein", but this promo was issued in a cardboard sleeve without booklet. Track 16 is...
Philippines CD • Compilation • 2005
Fearless Records (VVR1032462), V2 (VVR1032462)
Barcode: 4 800594367932
8 have 10 want
Manufactured, marketed and distributed by Universal Records
US CD • Compilation • 2005
Fearless Records (FRL 30074-2)
Barcode: 7 14753 00742 0
586 have 48 want
This CD is a collection of greatest hits, BBC sessions, B-sides, remixes and covers of The Smiths and Pink Floyd. The companion DVD features music vi...
Europe CD • Compilation • 2005
V2 (VVR1032468), Fearless Records (VVR1032468)
Barcode: 5 033197 324685 >
443 have 32 want
This CD is a collection of greatest hits, BBC sessions, B-sides, remixes and covers of The Smiths and Pink Floyd. The companion DVD features music vid...
Europe CD • Compilation • 2005
Fearless Records (VVR1032462), V2 (VVR1032462)
Barcode: 5033197324623
235 have 21 want
This CD is a collection of greatest hits, BBC sessions, B-sides, remixes and covers of The Smiths and Pink Floyd. The booklet contains 20 unreleased ...

Tracklist

  1. Fahrenheit 2:25
  2. Picket Fence Cartel 2:29
  3. Chanbara 2:57
  4. Lopsided 4:40
  5. Napoleon Solo 4:44
  6. Pickpocket 2:35
  7. Metronome Arthritis 3:58
  8. 198d 4:03
  9. One Armed Scissor 3:45
  10. Enfilade 5:02
  11. Non-Zero Possibility 5:33
  12. Incetardis 3:26
  13. Doorman's Placebo 5:32
  14. Autorelocator 4:59
  15. Rascuache 3:24
  16. This Night Has Opened My Eyes 3:58
  17. Initiation 3:33
  18. Take Up Thy Stethoscope And Walk 5:03
  19. One Armed Scissor Video
  20. Invalid Litter Dept. Video
  21. Metronome Arthritis Video
  22. Operations Manual (Electronic Press Kit)
  23. Discography
  24. Extras

Credits

Band [At•The•Drive-In Was:]: Cedric Bixler-Zavala, Jim Ward, Omar Rodriguez-Lopez, Paul Hinojos, Tony Hajjar
Design: Jason Farrell
Engineer: Chuck Johnson (2) (tracks: CD-9 to CD-12)
Engineer [Assistant]: Kevin Bosley (tracks: CD-9 to CD-12), Zak Girdis (tracks: CD-9 to CD-12)
Mastered By: Brad Vance
Mixed By: Andy Wallace (tracks: CD-9 to CD-12)
Photography By: Alberto Polo, Danielle Van Ark, Jeff Gros, Justin Borucki, Pat Graham, Paul Delia, Paul Drake
Producer: Ross Robinson (tracks: CD-9 to CD-12)
Producer [Assistant], Mixed By [Assistant]: Paul Noble (tracks: CD-17, CD-18)
Producer, Mixed By: Simon Askew (tracks: CD-17, CD-18)
Recorded By, Mixed By: Alex Newport (tracks: CD-3 to CD-6, CD-13), Mike Major (tracks: CD-1, CD-2, CD-7, CD-8, CD-15, CD-16)

Notes

This CD is a collection of greatest hits, BBC sessions, B-sides, remixes and covers of The Smiths and Pink Floyd.
The companion DVD features music videos, an electronic press kit and ATDI's discography.
The booklet contains 20 unreleased photos.

Tracks 1 and 2 recorded and mixed in January 1997 at Rosewood Studios.
Tracks 3, 4, 5, 6 and 13 recorded on June 3-10, 1998 at Doug Messenger's Studio, Hollywood, CA. Then mixed at Paramount Studios, Hollywood, CA.
Tracks 7, 8 and 15 recorded and mixed in February 1999 at Rosewood Studios.
Tracks 9, 10, 11 and 12 recorded winter 2000 at Indigo Ranch Studios, Malibu, CA. Then mixed at Soundtrack, N.Y., N.Y.
Track 14 recorded in September 1999 at Rosewood Studios.
Track 16 recorded in July 1998 at Sonic Ranch, Tornillo, TX. Then mixed at Rosewood Studios.
Tracks 17 and 18 recorded live at the BBC, London, England.

© ℗ Fearless Records LLC.

Identifiers

Barcode: 7 14753 00742 0 (Text)
Matrix / Runout: X23679 4 FRL2 30074-2 01 M1S2 (CD Variant 1)
Matrix / Runout: X23679 M1S4 4 FRL2 30074-2 01 (CD Variant 2)
Matrix / Runout: X23679 4 FRL2 30074-2 01 M1S1 (CD Variant 3)
Mastering SID Code: ifpi L902 (CD)
Mould SID Code: IFPI 2U3R (CD Variant 1)
Mould SID Code: IFPI 2U3U (CD Variant 2)
Mould SID Code: IFPI 2U6E (CD Variant 3)
Matrix / Runout: 4 30074.1.A VA03 M1S1 (DVD Variant 1)
Matrix / Runout: 4 30074.1.A VA03 M1S3 (DVD Variant 2)
Mastering SID Code: IFPI L906 (DVD)
Mould SID Code: IFPI 2UR9 (DVD Variant 1)
Mould SID Code: IFPI 2UR5 (DVD Variant 2)
All release and variant data is courtesy of Discogs.com.

At the time of its release this was At the Drive-In’s highest charting album ranking 95 on the US Billboard 200 and 34 on the Australian Albums chart.

Per Jim Ward regarding the track selection:

“I was just adamant about certain things staying off it. There was just some stuff I wanted to stay special, like those early seven-inches. If you have them, then you have them because you were in a certain place at a certain time. I wanted to keep it special for those people if it makes sense. It’s not that they’re embarrassing to me, it’s because I wanted them to remain intimate with those people who were there when we slept on their floors. We were putting out 500 seven-inches even though people sell them on eBay for more than I had to put them out with. I still prefer it that way. I like that culture; I’m part of that culture. I didn’t want everything homogenized into one album. I’m not a big [fan] of “greatest hits” or whatever, but I understand that’s part of what labels do. I wasn’t really a big part of it to be honest with you.”